Maxi-Korg Bass Line

Here’s a short little bass line I recorded while reacquainting myself with my Maxi-Korg yesterday. I love the gritty sound of this instrument, one of the most well known of the duophonic synthesizers. Sometimes I find myself reaching for the non-existent pitch or modulation wheels, but the limitations of these vintage devices are part of their charm and might encourage the musician to come up with new ways to play (or rediscover old ways).

Another thing that I love about vintage gear is the lack of presets. When I come up with a sound I like I simply say to myself, “you’re never going to get exactly that sound ever again”. You can always jot down the settings, but I never do. This way you’re forced to learn how to control the device and approximate the sounds that you have created in the past if necessary.

Maxi Korg Bass Line

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

One thought on “Maxi-Korg Bass Line

  1. Yes, this really sounds amazing! Can we have some more, please? I love this soft bass. And it is a shame, but I knew nothing about these synths… Now I’m learning. :)

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