Instant Composer: Mad-libbed Music

Instant Composer: Mad-Libbed Music

Northern Spark 2015 is June 13, 2015 and once again I am excited and honored to be taking part. This year I am directing and producing a project designed to directly involve audience participation in an all night long musical performance piece. Instant Composer: Mad-libbed Music (ICMLM) is in collaboration with a group of my interactive media students at Art Institutes Minnesota and an ensemble of improvising musicians from the Minneapolis and St. Paul, community.

ICMLM gives the audience a visceral connection to the ensemble because they will be choosing the members and composing the music! We have designed a mobile web application that allows the audience to write a piece of music that will be played by an ensemble within minutes of composing it. The compositions are textual or instructional scores popularized by Pauline Oliveros.

Pauline Oliveros is an American composer and accordionist who is a central figure in the development of experimental and post-war electronic art music … Oliveros has written books, formulated new music theories and investigated new ways to focus attention on music including her concepts of “Deep Listening” and “sonic awareness”. — Wikipedia

In five easy steps visitors will write their piece and submit it for its debut. The app allows participants to choose the instrumentation, tonality, dynamics, tempo, and length without needing to know any musical terms or techniques. The scores are like a Mad Lib, so we anticipate humor and transgressive play, but this will only make it more challenging and interesting for the ensembles.

The event is being held rain-or-shine on June 13, 2015 inside the historic Mill City Museum on the banks of the Mississippi river in downtown Minneapolis. It is free and open to the public and runs from dusk until dawn (9:00pm until 5:26am).

Participating students include: Ariel Marie Brooks, Michael Brooks, Renae Ferrario, Meg Gauthier, Abram Long, Valeria C. Sassi, Adam Schmid, and Steven Wietecha. The musicians include: Chris Cunningham (guitars), Jon Davis (bass, bass clarinet, saxophones), DeVon Russell Gray (bassoon, keyboards), Rajiah Johnson (flute), John Keston (keyboards), Donnie Martin (violin), Thomas Nordlund (guitars), Cody McKinney (bass), Graham O’Brien (drums), and Adam Schmid (drums).

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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