Duets for Synthesizer and _________ Out Now

I am excited to announce that Duets for Synthesizer and _________ is now out on the Berlin based label ElektraMusic.eu. These composition feature live performances with binaural recordings of the surrounding environments. Listening with circumaural headphones will provide a three dimensional sonic image of the ambience in most of the pieces. More details are in the liner notes below.

One-part binaural field recordings and one-part synthesized sound, Duets… treats the ambience of urban spaces as if they were conscious participants in an improvising ensemble. Using analog synthesizers Keston alternates between performing accompaniment for these environments and allowing the ambience to accompany him.

The environmental sounds form drones and rhythmic patterns while Keston responds with fundamental waveforms. The synthesized timbres are modulated and filtered to create complex textures that blend or contrast with the ambient sound. The field recordings were largely captured with binaural microphones. While wearing circumaural headphones the listener is inserted into a 3D soundscape with the synthesized sound placed in the center of the spatial image.

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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