DSI Tempest Analog Vibes

Less than one week ago I added a new instrument to my studio that will soon become the centerpiece of my solo performances and duets with Ostracon. As you can see from the photo, it is a Dave Smith Instruments Tempest Analog Drum Machine. I have been researching the Tempest since it was announced in early 2011, but recently I concluded that it would work well with the current direction of my music and decided to pick one up. This instrument is a one of kind sound sculpting tool that sounds amazing and is capable of so much more than just drums and percussive sounds. For example, as a challenge to learn the synthesis engine, I created this vibes patch exclusively using the two analog oscillators. I played a C minor blues scale over most of the width of a 76 key controller to give you an idea of how it sounds. I like how the envelopes get a little clicky in the low end. No processing was added to this recording, so the levels might be a bit low.

Tempest Analog Vibes

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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