Video: DKO Debut Album Absinthe Referent

SuBTR4CT1V3 is track five on the debut DKO album Absinthe Referent, now available for download or streaming at bandcamp or via the player embedded below:

Here’s how video artist Chris LeBlanc describes his work on this project:

I used VHS source material of sci fi movies from the 1990s that never made it to DVD running through Tachyons + processors, a homemade video feedback processor, and a modular video synthesizer mostly for colorization. I love scenes with virtual reality and the song brings out a pretty sinister feeling in some of this and lets you make up a story pieced together from 10 or so movies.

We are celebrating the release by performing at the Turf Club in St. Paul, Minnesota tomorrow night (Wednesday, May 20, 2015) with Dosh, A Love Electric, and Batteryboy sharing the bill. Please read on to check out some amazing stills from Chris’ video:

Video still from Chris LeBlanc

Screen Shot 2015-05-19 at 2.37.43 PM

Video still from Chris LeBlanc

Video still from Chris LeBlanc

This entry was posted in Music, One Synthesizer Sound Every Day, Performance and tagged , , , , by John CS Keston. Bookmark the permalink.

About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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