There were dozens of great things to record at the Grandpa-George studio space. One of them was a toy Douglas picked up at thrift shop for less than three dollars called the Talk and Learn Alphabet Center. It’s a kind of cheaper version of a Speak and Spell.
The voice recordings on the unit are great, sometimes hilarious, and have a lovely low bit graininess to them. Me and Derrin Evers took turns pressing the buttons while the recorder was running. Here’s a brief selection of what we collected.
Alphabet Center
I made this recording of an old Smith-Corona mechanical typewriter recently at the my good friends interactive company 
Today I had a student ask how to make old science fiction machinery sounds. The sound he wanted was for a robot starting up then slowly shutting down. We tried a few different things and finally settled on using Reason to create a random sequence of notes. 
I rarely experience the near silence of still, late nights in remote areas like the Northern shore of Lake Superior. The quiet was amplified (is that an oxymoron?) by a two inch layer of fresh snow that seemed to absorb the outdoor ambience. The lake was as still as I’ve ever seen it. The combination of these factors made it possible to actually hear the snow falling. You can identify the sound of the snow falling as a high frequency crackling as the flakes touched down on my surroundings. The large wet flakes sound similar to rain. There’s also an irregular, low frequency thumping sound that might be plates of ice gently bumping into each other on the lake. 
The intervals in a major scale are really the same as a minor scale. What’s different is the starting point. All the pitches in a major scale are the same as its relative minor, which is down a minor third. So the difference between a melody in a minor key and a major one is the root note. The same melody can be minor or major depending on the perspective of the listener. The last pattern I posted is only in a minor key if you consider C the root. If you consider E flat the root, then the melody is in a major key with C being its relative minor. In this case, the pattern is in C major, so if you listen with an A (the relative minor of C) in mind you’ll hear it in a minor scale.