Category Archives: Sound Design

Sound design examples

One Synthesizer Sound Every Day Debut

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It’s been more than fifteen months since I finished posting a self produced sound everyday for three hundred and sixty five consecutive days. This all happened in the One Sound Every Day category. As a result I produced my solo debut under my Ostraka moniker titled, Precambrian Resonance.

In the spirit of One Sound Every Day, I am starting a new project called One Synthesizer Sound Every Day. My plan is to use hardware synthesizers from my collection (and eventually soft-synths) to produce a sound, musical phrase, or microtrack to share here on ACB every day for a year. As well as my own sounds, I’ll be accepting select sounds from other artists and ACB readers to share on the site in the daily article.

My long term goal is produce a synthesizer album where I focus on inventing new sounds and allowing these textures to inspire the compositions. I’ve already got a good start on this by writing nine or so tracks in the few days since I conceived of the project (some of these tracks can be heard in the mix I shared here). I’m looking forward to sharing more of these sonic textures here as I discover them.

Let me start with a sub bass patch I made for my newly acquired Casio CZ-1000. I used to own a Casio CZ-101, which is virtually the same synth except that the CZ-1000 has a full sized keyboard compared to the mini-keys on the CZ-101. Years ago I misplaced my affectionately renamed Sleazy-101, probably in a move. Pining for the sound of this under-rated little instrument, I picked up a mint condition CZ-1000 on eBay recently for a steal. Here’s a bass line using my new patch.

Casio CZ-1000 Sub Bass
Audio Player

BMW Burnout in the snow

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Hey all,

Boy Racer – Burnout in Carpark on snow – BMW exploding exhaust revving tyres squealing

photo credits Kemmish from sw-pc.com

This winter in the UK everything has been incredibly foggy and snow-bound. Awesome! I had some family relatives visit and one of the youngsters asked me what gadgets I had (as naturally all self respecting men should always be armed with several gadgets). The only thing I had on me (which I take everywhere) was my sound recording gear, so one dark night we went for a walk to the park to see what we could record.

From about a mile away we could hear some burnouts, so we ran through the park to find a highly tweaked BMW and driver having a fun time ripping it up in a snowy car park. Picture the scene, it was pitch black and extremely foggy, so the car cut through the silence of the night like a knife. We had to conceal ourselves from the driver, behind a hedge, and the car was sliding just metres away from us! The exhaust explosions sounded great, and the car lit up the snow with its headlights.

I recorded the following, and it’s unprocessed. Sounds RAW!!!

Boy Racer – Burnout in Carpark on snow – BMW exploding exhaust revving tyres squealing
Audio Player

tags: Boy Racer – Burnout in Carpark on snow – BMW exploding exhaust revving tyres squealing

Words to Dead Lips Documentation

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WTDL9min from Aniccha Arts on Vimeo.

I just finished collaborating on a grant funded project titled Words to Dead Lips at Intermedia Arts last month. I did live electronic music and sound design, as well as build sound objects that the dancers used in the piece. The collaboration began with choreographer Pramila Vasudevan and visual artist Matt Wells with whom I joined to expand the project in December, 2009. Here’s more documentation including project notes, photos and press:

Words to Dead Lips on mnartists.org
Words to Dead Lips in intermediaarts.org
Closing night sound excerpt posted on AudioCookbook.org
Words to Dead Lips article on Twin Cities Daily Planet

HTML5 Audio Visualization for Illuminator Console

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Recently I have been investigating some of the new capabilities of web browsers that support HTML5 and include JavaScript enabled audio APIs. This video excerpt above is a screen capture of an audio visualization that I produced with Processing.js, HTML5 and the Audio Data API that’s built into Firefox 4 Beta. The audio analysis is based on code from this example by Corbin Brook.

Circles are drawn that vary in size dynamically based on the amplitude of the music. The track is Illuminator Console by Ostraka (John Keston) from the album Precambrian Resonance on Unearthed Music. This application will only work in Firefox 4 Beta. To view the full visualization visit the following link:

HTML5 Audio Visualization for Illuminator Console

What is Your Favorite Poly Synth?

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For the last few of years I have been craving the sound of polyphonic, analogue synthesizers. Although I’ve got a collection of aging monophonic (and one duophonic) beasts, I haven’t owned an analogue polyphonic slab since I had an Oberhiem Matrix-6. Before that, it was one of my first instruments, the Korg Poly-800. Both of these synths sound great, but I can’t forget the frustration I experienced with their lack of tactile potentiometers. Although I wish I still had it now, the membrane buttons on the Matrix-6 were especially annoying.

Recently I joined a trio name DGK (Jon Davis, Tim Glenn, and John Keston) that I think would benefit from a versatile polyphonic analogue instrument on top of my Rhodes electric piano. I have few rigs in mind (insert vintage Korg, Roland, or Akai), but I’m looking for a good knob to dollar ratio (more knobs and less dollars). What are your favorite poly-synths and why? Ever get rid of something you wish you hadn’t? Or have you been assimilated by the latest software synths?