Over processing usually leaves you with audio that lacks it original luster, or perhaps it starts to sound like the processor itself. However, sometimes you might end up with something interesting as a result of pushing the processing beyond the normal boundaries. While listening to the garbled piano in the last entry I could hear something haunting about the passage, so I decided that I would try to bring out those haunting characteristics by adding some unrestrained processing to the recording. I started by reversing it and pitching it down a couple of semitones. This brought out a brief harmonic minor melody. Later, after applying some extreme filtering and massive reverb I ended up with this thin, distant, and haunting sequence.
Mangled, Reversed, Distant, and Filtered Piano
This atmospheric effect is a continuation of the experiment from yesterday involving the Flying Waves VST. This time I loaded up a sample of air 
To generate this pattern I loaded a basic 
I came across this old late night session of sleepy Rhodes melodies and decided to render about fifty eight seconds of it. It was originally recorded on November 3, 2006 at about 12:53am. I love electronic timestamps. 
Absolutely nothing is distinguishable in these samples after all the processing that has been applied. My goal was to make a sequence of random samples sound as nasty as possible by applying down sampling, bit reduction, and distortion, then bring it back into something tolerable by applying some resonance filters and reverberation.