Spark Festival of Electronic Music and Arts

Posted on February 16, 2009 by John C.S. Keston

This year’s Spark Festival of Electronic Music and Arts starts on Tuesday, February 17 and goes through Sunday, February 22 at the University of Minnesota in Minneapolis, Minnesota. The Festival features dozens of accomplished artists, performers, and speakers from around the globe. The content ranges from the experimental, electronic sounds of STEIM to the glitch, minimal dub of Stefan Betke, aka Pole.

My group, Keston and Westdal featuring Graham O’Brien on drums, are appearing at the festival on Thursday, February 19, 2009 at the Bedlam Theatre. We will be performing works based on material from our 2008 collection of experimental compositions, One Day to Save All Life (Unearthed Music, 2008). The concert is free and open to the public, ages 18 and up. Here’s Upward Not Northward from our last album. You might notice an abrupt ending on this piece because it’s taken from a gapless master.

Upward Not Northward

Keston and Westdal at Nublu NYC

Posted on February 6, 2009 by John C.S. Keston

One Sound Every Day entries are likely to be a little scarce until Monday or Tuesday because I’ll be in New York for a performance at Nublu. The group playing is Keston and Westdal with Graham O’Brien on drums. We’ve been busy preparing for this and other events lately, including the Spark Festival in Minneapolis. I’m excited to be visiting New York again. This will be our fifth performance there as Keston and Westdal, and the third time at Nublu, which is a really great venue. I’m also eagerly anticipating the Spark Festival having just learned that Pole will be performing on February 21, 2009.

That said, while I’m in New York I’m planning on making some binaural recordings of environments, street musicians, musical performances, and general mayhem as I encounter it, so I expect to catch upsoon after I return. New York readers and visitors, please stop by Nublu (between 4th and 5th on Avenue C) this Saturday, February 7. We’ll be playing two sets starting at midnight. Here’s an example of what you might hear during our show.

Ostracon
by Keston and Westdal (Unearthed Music, 2008)

Some Kind of Adhesive Excerpt from Live Mix

Posted on December 21, 2008 by John C.S. Keston

Here’s another segment from the live recording I wrote about in the last entry. This is an excerpt from the piece Some Kind of Adhesive from One Day to Save All Life (2008, Unearthed Music). If you are familiar with the piece you will probably notice that this excerpt bares little resemblance to the original recording.

This is an example of how far a piece can stray from it’s original structure. The tempo hasn’t changed and some of the same instrument recordings are used, but these elements have been shaped into something new by cutting, stretching, looping, processing, and other forms of manipulation in real-time during the performance. This makes every set different from the next and keeps things interesting for us and (hopefully) our listeners.

Some Kind of Adhesive Live Mix (Excerpt)

Segment of Improvisation from Set Recording

Posted on December 20, 2008 by John C.S. Keston

This is one of several little magic moments from a recent performance with Nils Westdal. You can hear the Memory Man feedback come in at about twenty five seconds. Since we were limited to using laptops for this performance I was able to include the Memory Man as an external device as described in More Memory Man Madness. One of the good things about laptop sets are that you’re able to focus on improvising arrangements of the material, and freely experiment with processing.