Free Turntablism

Posted on February 22, 2009 by John CS Keston

The best way I can think of to describe the work of dj sniff is “free turntablism” as in “free jazz”. That said, like a good free jazz musician, he clearly knows and anticipates every move he makes with precision. His work is more often angular and arrhythmic than not, and was entirely engaging for me as a listener. Currently dj sniff is involved with STEIM (Studio for Electro-Instrumental Music, Amsterdam) as their Artistic Director, curating events while lecturing and performing regularly on behalf of the studio. I recorded this brief segment of his set at the Bedlam Theatre in Minneapolis during his performance for Spark on February 19, 2009.

dj sniff at Spark

Sound Captured from Kanta Horio’s Installation

Posted on February 21, 2009 by John CS Keston

Kanta Horio’s recent installation at the Spark Festival consisted of a room with a dozen or more sound making mechanisms suspended by wires. One of the mechanisms was a metal teapot with a magnet traversing its circumference. When I asked Kanta how this was achieved, he graciously removed the lid from the teapot and showed me an internal motor rotating another magnet just inside the inner surface. With some good luck and a bit of patience I was able to get a few minutes alone in the room and capture some of the fascinating sounds that his piece was producing. Please note that no loud speakers were used in Kanta’s piece. This recording is a snapshot of the acoustic sound produced by the mechanisms involved.

Kanta Horio Sounds

Michael Croswell at Spark Festival

Posted on February 19, 2009 by John CS Keston

Here’s a short section of Michael Croswell’s ambient combination of french horn and sampled industrial sounds from his performance on Wednesday, February 18, 2009. This was the first “Nightlife” performance at Spark, and lots of really great music has happened since, so there is much more to come.

This is one of the first times I have used the Sony PCM D-50 to record a performance other than my own. What was nice about this instance is that the audience was very quiet. Micheal’s music was quite dynamic throughout his entire performance, but in very slow sweeping waves with few abrupt movements. This recording would not have been possible with a noisy audience.

Michael Croswell

Spark Festival of Electronic Music and Arts

Posted on February 16, 2009 by John CS Keston

This year’s Spark Festival of Electronic Music and Arts starts on Tuesday, February 17 and goes through Sunday, February 22 at the University of Minnesota in Minneapolis, Minnesota. The Festival features dozens of accomplished artists, performers, and speakers from around the globe. The content ranges from the experimental, electronic sounds of STEIM to the glitch, minimal dub of Stefan Betke, aka Pole.

My group, Keston and Westdal featuring Graham O’Brien on drums, are appearing at the festival on Thursday, February 19, 2009 at the Bedlam Theatre. We will be performing works based on material from our 2008 collection of experimental compositions, One Day to Save All Life (Unearthed Music, 2008). The concert is free and open to the public, ages 18 and up. Here’s Upward Not Northward from our last album. You might notice an abrupt ending on this piece because it’s taken from a gapless master.

Upward Not Northward

Keston and Westdal at Nublu NYC

Posted on February 6, 2009 by John CS Keston

One Sound Every Day entries are likely to be a little scarce until Monday or Tuesday because I’ll be in New York for a performance at Nublu. The group playing is Keston and Westdal with Graham O’Brien on drums. We’ve been busy preparing for this and other events lately, including the Spark Festival in Minneapolis. I’m excited to be visiting New York again. This will be our fifth performance there as Keston and Westdal, and the third time at Nublu, which is a really great venue. I’m also eagerly anticipating the Spark Festival having just learned that Pole will be performing on February 21, 2009.

That said, while I’m in New York I’m planning on making some binaural recordings of environments, street musicians, musical performances, and general mayhem as I encounter it, so I expect to catch upsoon after I return. New York readers and visitors, please stop by Nublu (between 4th and 5th on Avenue C) this Saturday, February 7. We’ll be playing two sets starting at midnight. Here’s an example of what you might hear during our show.

Ostracon
by Keston and Westdal (Unearthed Music, 2008)