The Most Beautiful Sound In The World Competition

Beautiful-Now-+-SoundCloud

The Most Beautiful Sound in the World Competition is underway thanks to efforts from SoundCloud and BeautifulNow. Here’s what BeautifulNow representative, Rachel Whaley, had to say to ACB about the competition:

BeautifulNow, a new site focused on the most beautiful things happening in the world right now, is running a competition, in partnership with SoundCloud and The Sound Agency, to find THE MOST BEAUTIFUL SOUND IN THE WORLD RIGHT NOW. It’s really cool! And we thought that you and your community would be really interested because you seem to be all about beautiful sound.

The competition is open for entries until 12/16, so there’s still time to enter. Here’s a link to the competition so you can check it out: beautifulnow.is/sound.

There’s a great prize package. We have awesome judges who will select finalists. And our community votes. How cool would it be if your sound could win The Most Beautiful Sound in the World? What do you think?

Check out our site, our Facebook page, and follow us on Twitter for more info and let us know what you think!

QuNexus with Korg Monotribe and Volca Keys Demo

Here’s a quick demonstration on how to use the QuNexus to play the Korg Monotribe. To duplicate this technique you will need to update the Monotribe to version 2.10 or later then connect a TRRS mini jack to the sync in port on the Monotribe (tip is gate and the second ring is CV). All the cables you need are in the QuNexus cable kit. I also synched-up the Volca Keys for a simple chord progression. The parts on the Monotribe and Volca were recorded with “flux” mode. This is simply Korg’s term for non-quantized recording. Without “flux” mode on the parts would be made up entirely of 1/8th or 1/16th notes depending on the settings of each instrument (the Volca Keys can also do quarter notes on the 1/4 mode).

Novation Bass Station II Self Oscillating Filter Demo

I have recently been trying out a Novation Bass Station II monophonic analogue synthesizer. I am quite impressed with this big sounding synth in a small package. While digitally controlled, Novation have focused on packing in proper synthesis features rather than trying to gloss over the sound with onboard effects. For example, as I have illustrated in the video, the filter self oscillates nicely with a clean sine wave that can be modulated in unique ways especially with distinct features like oscillator slew.

The video starts with the self oscillating filter getting modulated by LFO 2 using the triangle wave. After that I switch to using the sample and hold setting creating the well-known 60s computer sound of random notes. Here’s where it gets interesting though. Once I switch the LFO to sample and hold I start turning up the oscillator slew I mentioned earlier. What this does is variably smooth the wave shapes created by the LFO. You’ll hear this come in at 0:28. It sounds like portamento. At 0:35 I switch the LFO to the square wave, but with the slew on it sounds more like a sine. As I reduce the amount of slew the square wave regains its recognizable character. Next I switch it to the saw tooth wave. The nice thing here is that the LFO amount can go into negative values allowing the saw to be reversed.

Another distinctive feature is the oscillator filter mod setting. This modulates the filter with oscillator 2. Since the oscillators range from subsonic to almost supersonic this feature offers modulation effects that are not possible with the LFOs. At 1:29 you will start to hear the oscillator filter mod come in using a pulse waveform. What makes this interesting is that while oscillator 2 is modulating the filter it can also have the pulse width modulated by LFO 1. This can cause bit-reduction-like effects that can be heard between 1:49 and 2:19. At 2:20 I start tapping the octave and waveform buttons on oscillator 2 illustrating what happens when the modulation source is instantly shifted an octave at a time. After a bit more messing around I added a final, manual filter sweep at 3:20.

Pop-up Music: Sangre Azur

This the sixth track in a series of mixes that I am creating by improvising on the DSI Tempest synched to the Korg Volca Keys, which is in turn synched to the Korg Monotribe. Minor editing for length and simple processing has been applied, but there’s no extensive post-production or mastering.

I have eleven of these tracks now. In the next entry I will share a link to an album preview on SoundCloud. I didn’t set out to make an album in less than two weeks. However, they kept coming and once I allowed myself to see the tracks as a sort of pop-up music making approach (more about this soon) I allowed myself forgo refining each piece any further.

Pop-Up Northrop: Postfauxpocalypse

This is the fifth in a series of mixes that I am creating by improvising on the DSI Tempest synched to the Korg Volca Keys, which is in turn synched to the Korg Monotribe. Minor editing for length and simple processing has been applied, but there’s no extensive post-production or mastering. Produced in preparation for the upcoming event Pop-Up Northrop: Postfauxpocalypse on October 24, 2013.