Casiotone Organ with Vibrato and Sustain

As well as classic drum patterns the Casiotone 403 has some nice vintage analog keyboard tones. Short of circuit bending, there’s not really any way to manipulate those tones other than vibrato and sustain under the effects section. These are simple on or off settings, so there’s no depth, speed, or decay adjustments. You get what you’re given, but that’s what you’d expect from an instrument of this sort, and part of its charm.

I actually have used this keyboard for a couple of performances. Once at the May day festival in Minneapolis I played it with a group of kale wearing performers. During the parade we were joined by Wavy Gravy, so we gave him a mic and accompanied him for thirty minutes or so. There’s a lot more to this story that I won’t go into here, but in any case my favorite line that he used was, “Don’t eat the brown kale”. Afterward I had him sign my brown, wood grain Casiotone 403.

Casiotone Organ

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About John CS Keston

John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research. John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.

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