John CS Keston is an award winning transdisciplinary artist reimagining how music, video art, and computer science intersect. His work both questions and embraces his backgrounds in music technology, software development, and improvisation leading him toward unconventional compositions that convey a spirit of discovery and exploration through the use of graphic scores, chance and generative techniques, analog and digital synthesis, experimental sound design, signal processing, and acoustic piano. Performers are empowered to use their phonomnesis, or sonic imaginations, while contributing to his collaborative work. Originally from the United Kingdom, John currently resides in Minneapolis, Minnesota where he is a professor of Digital Media Arts at the University of St Thomas. He founded the sound design resource, AudioCookbook.org, where you will find articles and documentation about his projects and research.
John has spoken, performed, or exhibited original work at New Interfaces for Musical Expression (NIME 2022), the International Computer Music Conference (ICMC 2022), the International Digital Media Arts Conference (iDMAa 2022), International Sound in Science Technology and the Arts (ISSTA 2017-2019), Northern Spark (2011-2017), the Weisman Art Museum, the Montreal Jazz Festival, the Walker Art Center, the Minnesota Institute of Art, the Eyeo Festival, INST-INT, Echofluxx (Prague), and Moogfest. He produced and performed in the piece Instant Cinema: Teleportation Platform X, a featured project at Northern Spark 2013. He composed and performed the music for In Habit: Life in Patterns (2012) and Words to Dead Lips (2011) in collaboration with the dance company Aniccha Arts. In 2017 he was commissioned by the Walker Art Center to compose music for former Merce Cunningham dancers during the Common Time performance series. His music appears in The Jeffrey Dahmer Files (2012) and he composed the music for the short Familiar Pavement (2015). He has appeared on more than a dozen albums including two solo albums on UnearthedMusic.com.
Recently I built a Posc (Pocket Oscillator by Sonodrome) and discussed it in this entry with an audio example. Shortly afterward I built the circuit into a cardboard box and used the instrument in a number of performances and recording sessions. Now I have disassembled my beloved cardboard box and created a new instrument for an upcoming dance performance. This updated prototype is made from a plastic saucer sled, a 4″ speaker, a recycled nine volt amplifier, and the Posc circuit.
I started by drilling a grid pattern of air holes for the speaker. I then mounted the speaker behind the grid as shown. Finally I soldered the Posc circuit to the nine volt amp and the amp to the speaker. Two nine volt batteries and some duct tape completed the prototype. The night of the build I handed it to Pramila Vasudevan, the choreographer for the piece, and was amazed by the sound quality, and the response of the instrument to her movements. The final product will most likely be fabricated out of fiberglass to improve the rigidity and resonance of the disc or “shield”.
Seoul based artist and engineer, Hojun Song, is one of the featured artists on the Creators Project. Hojun engineers custom MIDI controllers, satellites, and “The Strongest Weapon in the World”; an unbreakable machine that prints out beautiful messages. The Creators Project is “…a global initiative bringing together the world’s leading and most relevant innovators in music, art, film, design and architecture through a common passion for creativity and technology.” Other featured artists include Diplo, Muti Randolph, Richie Hawtin, Karl Sadler, Phoenix, with dozens more on deck. Check it out at www.thecreatorsproject.com.
I have received a few notices of intent to participate in the GMS Generative Track Competition, but no entries so far. The deadline is still May 31, 2010, but I may extend it if necessary. Please drop me a line if you’re intending to submit something, or need more time. Here’s the original entry that includes the details about the competition.
Lately, as you might have noticed, I’m attracted to synthesizers that don’t necessarily use keyboards for input. The Korg Monotron is a $60.00 battery operated true analog synthesizer with a ribbon controller and five knobs to control pitch, LFO rate / intensity, and VCF cutoff / peak. The Monotron will be available in the US this July. For more details checkout this article on Synthtopia.com.
Read on for more Korg Monotron videos. The next one is especially good.
I’m currently working on a sound design project for a client who is looking for a way to generate specific sorts of sounds using easy to understand controls. I started by creating a frequency modulated drone generator. The tool has a mixer with six preset pitches plus noise. I also included amplitude modulation, with sliders to control the amount, LFO, and a frequency multiplier to allow for FM synthesis effects. Here’s an audio example that illustrates the range of sounds possible with this set of fairly simple and intuitive controls.
