Solo Electroacoustic Piano at Jazz Central Studios

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I feel excited and privileged to be playing a concert of original piano compositions on November 23, 2016 at Jazz Central Studios in Minneapolis. The compositions include acoustic piano pieces (unaltered by processing or electronics) and a number of electroacoustic piano pieces that will involve manipulating the signal from the piano in real-time. For example I’ll be using an analog delay to create pulsing washes of sound from the piano. There will also be examples of sampling and looping the piano and then manipulating the loops through more processing.

Although ACB readers will be more familiar with my electronic work, acoustic piano is the instrument that has stayed with me since childhood. I even had a weekly jazz piano gig that lasted eleven years! This upcoming solo piano performance will be my first in over a decade and it will be very different for me because I’ll be playing my own compositions instead of a the jazz standards I used to play.

Jazz Central Studios has a really great sounding grand piano in house that I’ll be playing during the show. I have performed at the venue a number of times recently thanks to friend, bassist, and collaborator, Casey O’Brien who is one of the current artistic directors for the non-profit organization. Here’s some more information about JCS:

Jazz Central Studios (JCS) is a tax exempt nonprofit organization committed to strengthening the Twin Cities jazz community by offering a live performance/educational environment that nurtures artistic growth. Our space consists of 1800 square feet which seats up to 50 people. It is complete with grand piano, house drum set PA, and lights.

In 2010, local jazz musicians Mac Santiago and Tanner Taylor established Jazz Central Studios as a rehearsal and recording space for Twin Cities jazz musicians. We encourage jazz patrons and musicians of all levels to become a part of Jazz Central Studios. Whether you want to develop your skills and career as a performing musician or you want to meet other jazz enthusiasts and support the local scene, there is a place for you here.

The music on November 23, 2016 will start at 8:30pm. The suggested donation is $10 for general admission and $5 for students. I hope you’ll join me! Here’s an excerpt from a recording of me (piano, electronics), Cody McKinney (bass, voice, electronics), and Graham O’Brien (drums, electronics) made at JCS by Diego Ramallo. In the recording I’m using a sampler to live-loop piano layers and then run things through delays and other processing.

Taming of the CPU 3.0 March 12, 2016

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On March 12, 2016 the third edition of The Taming of the CPU will commence at The Nicollet (now called Reverie), 1931 Nicollet Avenue, Minneapolis. Music will begin at 9:00pm. The Taming of the CPU is a series of live electronic music sets paired with live video performances. Chris LeBlanc who was interviewed here recently will provide the visuals for all three musical segments. The musical artists include John Keston (that’s me), Mike Hodnick who recently wrote an article here about his experiments with the Roland System-1m, and Lucas Melchior with whom I produced Dueling Tempests and four Dueling Monotribe videos.

Photo and art by Chris LeBlanc

Each time we organize one of these events we perform new material or new versions of our material. Chris is continually evolving his techniques and refining his approach to the visuals. For this event he’ll be bringing in Michael Lund as a collaborator. Be prepared for a pyramid of gorgeous, vintage CRT displays driven by Machael’s liquid light show and Chris’ state-of-the-art, modular, analog, video gear. I always look forward to these shows, not just for the opportunity to perform, but to see and hear what Chris, Luke, and Mike have up their sleeves. What’s more is that we are planning a short collaborative set at the end of the night. More information about the event is available on the on the Facebook event page. Have a listen to Luke’s (MKR) exceptional set from last time to whet your appetite:

Ostracon and Chris LeBlanc Featured at #L2L, Feb 10, 2016

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My eletroacoustic duet, Ostracon in collaboration with Graham O’Brien on drums, is performing at the Landmark to Lowertown series hosted by the American Composers Forum. Chris LeBlanc will be joining us with his modular, analog, video synthesis system running through a wall of vintage 22″ CRT monitors. Our performance starts at noon at the Bedlam Theatre in St. Paul.

The Forum is pleased to announce its second season of Landmark to Lowertown, a program where new music sees the light of day in downtown St. Paul. In starting a new tradition, this season’s composer/performers are awardees of the Minnesota Emerging Composer Award (MECA) from ACF and generously funded by the Jerome Foundation, an award that highlights artists in Jazz/Improvisation, Electronic, and World music.

Ostracon is in the process of finishing our 2nd album. There’s no scheduled release date as of yet, but the recordings have been made and editing is underway. Expect more announcements about the album within the next couple of months. For now we will be pleased to see you at the Bedlam on February 10, 2016!

Solo Hardware Set Thursday with DSI, Elektron, and Moog

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I will be performing an all hardware set using the DSI Tempest drum machine, the Elektron Analog 4, and the Moog Sub 37 this Thursday, October 22, 2015. Fellow music technology wizard, Robert Luna, will start off the evening drumming with his band Houseluna at 7:00pm followed by my set at 8:30pm. The event is being held at The Pourhouse at 10 S 5th St, Minneapolis, Minnesota.

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I’ll be playing a similar set to my last solo event, The Taming of the CPU, but with enough variations to keep it interesting if you happened to catch that show. Listen to the track below to get a brief sample of what I’ll be performing. We hope to see you there!

BYOB: Carnage, E-Turn, and Ostracon at the Dakota

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This Saturday, August 29, Carnage the Executioner presents B.Y.O.B. at the Dakota in Minneapolis. B.Y.O.B. stands for “Be Your Own Band”, and that title will make complete sense once you hear about the artists on this bill.

Carnage aka Terrell Woods can only be defined as a multi-instrumentalist even though he performs exclusively with his own voice. Carnage uses his vast vocal range to emulate bass, drums, synth lines, samples, percussion, turntablism, and more, layering and synchronizing the arrangements with nothing but an off-the-shelf loop pedal. On top off all that he stacks his extraordinary rhyming facilities.

Orlando based artist E-Turn is a mega-talent who often combines forces with DJ SPS and many other notable artists. E-Turn effortlessly generates an orchestra of music and vocals during her performances while drawing from her hiphop influences, Persian vocals, and Iranian poetry.

Ostracon is myself on synthesizers and Graham O’Brien on drums. The two of us perform evolving compositions that fuse rich analog electronics with dynamic live drumming. You’ve heard plenty about us here on audiocookbook.org, but at this show we will be presenting new tracks that we recently recorded for our next album.

What all of us on this very special bill have in common is a drive to make music that is bigger that we are. Hence, “Be Your Own Band”. Music starts at 11pm. Cover is $7 and ages 18 and up are admissible. Don’t miss it!