One Hundred Consecutive Sounds

Today marks a total of one hundred sounds that I have posted consecutively in the One Sound Every Day category. To create todays sound I have simply started grabbing tiny, uniform chunks of audio from previous entries in the One Sound Every Day category. I sequenced them chronologically from oldest to newest, selecting what I thought might work in a micro sample opus. Sadly I ran out of time before I was able to sequence one hundred consectutive sounds, but I managed to make some good progress. As soon I return to the country I will continue this sequence and post a new version for you to listen to.

One Hundred Consecutive Sounds

ACB September 2008 Sample Pack

Today, freesound.org approved my second sample pack, ACB September 2008. This sample pack is comprised of sounds found on AudioCookbook.org that were posted during the month of September, 2008 in the Share Remix Adapt category. I am packaging these sample packs on a monthly basis so that ACB readers have access to higher quality versions of the ACB sounds.

Each sound is uncompressed and available through freesound.org under the user keston in it’s original .wav format for free download and use in non-commercial works (I will most often grant permission for commercial use if you contact me in advance). If you make use of these samples please consider donating to AudioCookbook.org using the paypal link in the sidebar.

Good Quality Field Recording on a Budget

I made this recording of a freight train near downtown Minneapolis today using an old third generation 20 gig iPod running Linux (more info at ipodlinux.org). The microphone I used to capture the sound was an Audio Technica AT822 stereo condenser, list price of $419, but zZounds.com has them for about $250. The nice thing about the AT822 is that it comes with an XLR to 1/8″ stereo cable as well as a standard “Y” cable. This makes it easy to plug it into a hand held portable recording device like a DAT recorder or MiniDisc.

Unfortunately the iPod only records in mono via the headphone jack, but I was able to get a good strong signal into it via the left channel element, and record at a staggering 88.2kHz sampling rate! 96kHz is also supported. There is a way to get a stereo line level signal recorded through the dock connector, but I would need a preamp between the iPod and the mic so I may not bother unless I find something cheap, tiny and battery operated. I’ve ordered a replacement battery for the iPod, and I’m planning on keeping this small kit in my bike bag to make impromptu recordings. I would be interested in hearing about other examples of good quality field recording ACB readers have used. Anyone else have similar techniques?

iPod Recorded Freight Train

Good Copy Bad Copy

The conversation happening under Acceptable Use of Factory Presets and Samples? is starting to reflect the subject matter that is examined in the film Good Copy Bad Copy, so I thought it would be a good idea to reference it here in case any ACB readers haven’t seen it yet. I have been showing this one hour long documentary to friends and students since its release in 2007 and highly recommend it.

Good Copy Bad Copy is a fascinating look at the current state of copyright law and how it clashes with popular culture. The film has extended interviews with artists like Danger Mouse and Girl Talk, industry big wigs like Dan Glickman CEO of the MPAA, and IP and music copyright expert Dr. Lawrence Ferrara director of the music department at NYU. It covers the Brazilian phenomenon Techno Brega, a form of electronic music that merges western pop songs with latin styles, and takes a look at the rapidly expanding Nigerian film industry. The film can be viewed here at ACB, at their website, or legally downloaded from a torrent (www.goodcopybadcopy.net).

Signal to Noise Magazine

Keston and Westdal’s latest release, One Day to Save All Life (ODTSAL), has been reviewed in Signal to Noise, The Journal of Improvised and Experimental Music. This review from “The most respected journal of experimental, improvised and otherwise interesting music” (DustyGroove.com) is the highest praise yet for the release. Please visit Unearthed Music to read the review.

Unearthed Music makes full-length 128kbps MP3 previews of every track in their catalog available on their website. So, in light of the review I am including one of my favorite tracks from ODTSAL, Electric Sheep, as today’s sound on AudioCookbook.org. If you like what you hear consider purchasing music from our independent and artist owned label. Why? Because without your support we and others like us would not be able to continue providing you with the music you love. And what kind of world would that be?

Electric Sheep

 

ACB August 2008 Sample Pack

Today, freesound.org approved the ACB August 2008 sample pack. This sample pack is comprised of sounds found on AudioCookbook.org that were posted during the month of August, 2008 in the Share Remix Adapt category. My goal is to package these sample packs on freesound.org once a month so you have access to high quality versions of the sounds on ACB.

Each sound is uncompressed and available through freesound.org in it’s original .wav format for free download and use in non-commercial works (I will most often grant permission for commercial use if you contact me in advance). If you make use of these samples please consider donating to ACB using the paypal link in the sidebar.

MUTO by BLU

A friend sent me this link to an animated piece done on public walls in Buenos Aires and it was just too good not to post here. Fortunately, the piece is fitting for this venue due to the quality of the audio involved.

The animation is amazing, but one of the things I like especially about this piece is the sound design and music. It’s starts deceptively with typical city ambiance, but when the animation begins it quickly changes into a combination of experimental music and clever sound design carefully synchronized to the visuals.

More information about the artist and examples of their work can be found at blublu.org. The animation is by BLU assisted by Sibe, and the music / sound design is by Andrea Martignoni.

MUTO a wall-painted animation by BLU from blu on Vimeo.

Mississippi (Founders Mix)

AudioCookbook.org has been featured today on ccMixter, “ccMixter is a community music site featuring remixes licensed under Creative Commons where you can listen to, sample, mash-up, or interact with music in whatever way you want.” Along with the announcement, the ccMixter artist, Victor (aka fourstones) posted a remix called Mississippi (Founders Mix) using several recordings from AudioCookbook.org. Samples used include, Roof Racket, Piano Mallet Loop, Pro-One Dub, AM Radio Static, Time Expanded Radio Static, vocals by Kristin Hersh and several others. Checkout the mix on ccMixter for more information. Since the track uses several samples from AudioCookbook.org I am posting it here as today’s entry into the “One Sound Every Day” project. This marks the first time that I have not directly produced the daily sound, however, I feel this is an excellent example. If you like the track, head over to ccMixter and give some love to Victor for this tasty mashup.

Mississippi (Founders Mix)

Share Remix Adapt

All the audio files that are included in the Share Remix Adapt category are under a Creative Commons license that allows the work to be shared, distributed, remixed or adapted as long as it is attributed to the original author. For more information on this license please click the link below. If you are planning on using one of these recordings in a commercial or derivative work and need better quality renders than mp3s (wav, aiff, etc.), please let us know at participate [at] audiocookbook [dot] org.

Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial 3.0 Unported License.

AudioCookbook.org on Create Digital Music

Special thanks are in order for Peter Kirn, editor of Create Digital Music (CDM), for posting an article about AudioCookbook.org on CDM. You may have noticed that CDM has been linked here since I started the site. It’s one of my favorite sites relating to modern music production with tons of great resources and articles. I highly recommend it for anyone interested in music technology.

In the article Peter writes, “Sound design secrets have traditionally been closely-guarded secret sauce. But in the age of the Web, the opposite is happening: people can actually enjoy sharing what they’re doing, just as passionate cooks chat about recipes on food blogs. Case in point: reader John Keston writes to tell us about AudioCookbook.org, on which he’s blogging a new sound each day. Not only is this a nice way to talk about techniques with fellow enthusiasts, but it’s a great example of how you can use blogging to encourage you to get things accomplished, rather than just distracting you.”

Check out the complete article on CDM.

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