Speaker Rattling Filter Sweep Saw Octaves

This is part of the bass line from a synthesizer waltz that I’m composing. The sound was played on the Roland Juno-106, which I can’t seem get enough of these days. No processing was applied. All you hear is the chorus along with the LFO modulating the VCF for a long, slow filter sweep. Oh yeah, and I was manually tweaking the cutoff, and probably the envelope amount as well.

Speaker Rattling Filtered Saw Octaves

Resonant Wobble

One thing I hadn’t explored yet on the Roland Juno-106 is how well it produces synthesizer effects. This is the sort of sound that I would normally create using my Sequencial Circuits Pro-One, and admittedly the filter on the Pro-One is a little more agressive, but I decided to give it a go on the 106. This sound was made using the filter self-resonance discussed in detail in the article Eerie Pseudo Oscillator Microtrack. Using the LFO on the VCF creates the wobble, then I adjusted the LFO manually for speed modulation.

Resonant Wobble

Synthetic Guitar

I found this synthetic guitar-like sound on my Roland Juno-106, tweaked it a little bit, and then ran it through some delay and reverb. The envelope gives it a similar sound to an electric guitar played clean. If I wanted it to sound more realistic I would stagger the attacks and perhaps distort the signal, but I like the synthetic nature of it. If I wanted a realistic guitar, then I’d record some guitar. Imitating acoustic or even most electro-mechanical instruments with synthesizers is something that was a necessary step in the evolution of synthesis and modeling. These days we appreciate how synthesis sounds apart from the modeling and reproduction of traditional instrumentation.

Juno-106 Synthetic Guitar

Lost and Found Arpeggiated Polysynth

I found this arpeggio that I created in Ableton Live and rendered on the Roland Juno-106, in a temporary folder weeks after I had deleted it from the set I was working on. I listened to it and decided it was worthwhile using it for today’s synthesizer sound. It includes some nice manual filter sweeps as well as some other tweaks. I added an un-synched delay to give it some depth, but that was it for processing.

Lost Arpeggio Passage

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