This Friday, April 21, 2017 will mark the 4th event we’ve affectionately titled, The Taming of the CPU. This time we have the privilege of being hosted by the Icehouse Minneapolis. Tickets are on sale now and available at the doors (opening at 10:30pm). The performers include myself, Mike Hodnick (Kindohm), Lucas Melchior (MKR), and Chris Leblanc with Michael Lund doing their famous modular-analog-video-liquid-light show. Expect to hear a broad range of electronic music from Kindohm’s virtuosic live coding to MKR’s Ableton prowess. I’ll be towing an all hardware rig including Rhodes electric piano, Moog Sub 37, a Pyramid Sequencer, and several other bits and pieces. Here’s the official spiel:
Taming of the CPU 4.0 brings together three award winning electronic musicians with two like minded visual artist to create a futuristic, immersive multi-media experience. Huge sounding hardware synthesis is combined with intricate live coding, and lush laptop arrangements while modular video synthesis and liquid light shows are displayed and synchronized to the music.
Read on for more information about the artists including bios and video examples: Continue reading →
This Thursday, March 30, 2017 I will be performing two 30 minute sets of music with Graham O’Brien at the Walker Art Center as part of the Merce Cunningham: Common Time series of events and exhibitions. Our performances start at 5:30pm and 8:00pm in the Perlman Gallery and feature former Merce Cunningham dancers. Here’s a one minute teaser recorded during a recent rehearsal. The concert is free and open to the public. Visit the Walker Art Center for more details.
I just had a listen to these videos of Keston and Westdal with Graham O’Brien on drums at Nublu in New York, Feb 7, 2009. The eight year old recordings were shot by my mate, Benjamin Montag, who is responsible for the majority of the art and design work for Unearthed Music, including the art on my new solo album, Isosceles.
I was using the Nublu house Rhodes, which I repaired earlier that night replacing a couple of broken tines and tuning a few notes. I brought along a laptop and interface to live-loop the Rhodes and send a click track to Graham. I borrowed the Korg MS2000 from Simone Giuliani. You may also notice distortion on the Rhodes at about 6:47. For that I brought along my BOSS DF-2 Super Distortion & Feedbacker pedal, which I have been using on Rhodes since the ’90s.
Since I had the laptop to loop the Rhodes in Ableton Live I ended up a few nice phrases that I ended up posting here on Audiocookbook. For example, in one post I shared a nice phrase and discussed my repair job before the gig and another includes a field recording inside a taxi on the way to the show. Checkout a few archival recordings from the gig below:
The track starts out with a Rhodes loop that I played into the KP3+ with an LFO sweeping a resonant high pass filter. Next I start to bring in Euclidean patterns on each of the four Circuit drum parts. These are generated through individual tracks on the Pyramid. I have it setup with four Euclidean patterns per track bank for a total of sixteen. This way I can mix and match all sixteen patterns on the Pyramid and even swap them or combine them with patterns on the Circuit.
I also use Pyramid to sequence the bass and synth chords on the Circuit. In addition I have a track for the Sub 37 that I mute while soloing, and a track for the PreenFM2. The Sub 37 is in “local off” mode, so whichever track I have selected on Pyramid determines what instrument plays. I find the keybed and flexibility of the Sub 37 perfect as a controller and sound source. Thanks for listening and check out my new album Isosceles for more like it that’s actually mixed and mastered properly. ;-)
It’s no secret that one of my preferred instruments is the Rhodes electric piano, which is why I am very excited to be one of four Rhodes players for the first annual Minneapolis Rhodes Summit at the Icehouse, 2528 Nicollet Ave, Minneapolis, Minnesota 55404. This concert is happening tomorrow night (Monday, December 7, 2015 at 9:00pm) as part of JT’s Jazz Implosion. JT Bates will be joining us on drums for the second set. So who is us? We are four keyboardists belonging to the Twin Cities scene including, Martin Dosh, deVon dVRG Gray, John Keston (that’s me), and Bryan Nichols. The four of us are known for playing Rhodes electric pianos either frequently, or most of the time. What does it sound like when four Rhodes players go at it all at once? I have no bloody idea, but I’m looking forward to finding out! Please join us for this experiment in Rhodes overload. $8.00.