This is the sixth piece from a collection of microtracks that I have produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one starts out with out drums and then double bass drum fills come in near the end.
This is the fifth microtrack from a series that I produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one was edited out of a longer session where I was taking a few liberties with knob turning on the Memory Man and on the Pro-One.
This is the third example from a collection of microtracks that feature the Korg Monotribe synchronized in various ways with the Sequential Circuits Pro-One. In this piece I switched between the two available sequences on the Pro-One while manipulating controls on both instruments.
Here’s the first in a series of microtracks I’ll be sharing here on ACB that I produced with a Korg Monotribe synchronized in a variety of ways with my SCI Pro-One. The nice thing about the Monotribe is that it has sync in/out that works perfectly with the Pro-One gate in/out functionality. I wasn’t sure if this would work or not so my friend Lukas brought his over and we tested it before I committed to buying one. I was quite pleased to find out that it works both ways meaning I can either sync the Monotribe with the LFO on the Pro-One, or sync the Pro-One to the tempo on the Monotribe.
This is another piece from a stockpile of synthesizer tracks that I’ve been sitting on for a while. Locus 13.07b is a study in polyrhythmic arpeggiation produced using the Roland Super Jupiter MKS-80 and the Roland D-50.