Sound / Simulacra at Jazz Central Studios

Starting January 25, 2017 Cody McKinney and I are booking a monthly series at Jazz Central Studios titled Sound / Simulacra. The series explores musical improvisation as a “faithful and intentionally distorted” representational process. Sound / Simulacra will bring together some of the Twin Cities most unique voices to “recreate, distort, and create the hyperreal”.

Cody McKinney works with sound by actively theorizing, organizing, practicing and challenging its properties. He studied bass and improvisation under many luminaries including: Johannes Weidenmueller, Bruce Gertz, Jim Black as well as composition under Kirk Nurock, Rory Stewart, Steve Lehman and Diane Moser. Cody’s group, Bloodline, along with John Keston and Pete Hennig, have recently recorded an album due out mid 2017.

Volume 1: Wednesday Jan. 25th 2017
Cody McKinney & Jeremy Ylvisaker

Jeremy Ylvisaker is a multi-instrumentalist from Minneapolis, Minnesota. He is a member of the indie rock bands Alpha Consumer (with Michael Lewis and JT Bates) and The Cloak Ox along with Andrew Broder of Fog, Mark Erickson and Dosh. He plays guitar in Andrew Bird’s touring band alongside Martin Dosh on drums and Michael Lewis on bass.

Volume 2: Wednesday Feb. 22nd, 2017
John C.S. Keston and Graham O’Brien

Graham O’Brien is a drummer and electronic music producer/composer from St. Paul, MN. His most recent work is focused on the interplay between his unique drumming and composition styles. Currently he is performing new music written for solo live performance, utilizing a customized electro-acoustic drum set concept. As he puts it, “I’m exploring ways to perform my music – or rather, conduct it – via the rhythms of my drumming, in real-time. My performance concept is a practical way to extend the range of my drum set to include control of melodic and harmonic electronic instruments.”

My First Solo Album in Seven Years

Isosceles by Ostraka

Dear ACB readers, I am pleased to announce my first solo album in seven years, Isosceles. This one is an eighty minute long departure from my usual esoteric experiments. Instead it is full of unapologetically funky and tonal instrumental synth tracks. Many of these were shared as works-in-progress here on ACB.

Years in the making, this collection of tracks was carefully picked from dozens of compositions. Vintage and contemporary electronic instruments and processors were used alongside each other to create a unique yet familiar sound. The album is full of thick analog arpeggios, punchy bass lines, earthy beats, and ballistic leads. The anthology is interspersed with contemplative moments reminiscent of the promise of space exploration and discovery. It is a journey through light years of exploratory sound design, future thought, and galactic musical manifestations.

The gorgeous artwork is by Benjamin Montag and the impeccable mastering was handled by Tom Garneau. The album was released on Unearthed Music and is available on Bandcamp as well as the usual suspect (iTunes, et al). Tonight I’ll be performing at Acadia in Minneapolis to celebrate the release.

Credits
Composed and performed by John C. S. Keston
Ablum art by Benjamin Montag
Mastered by Tom Garneau of Audioactive

Bloodline at JT’s Jazz Implosion

bloodline_art

Bloodline, a trio featuring Cody McKinney, Peter Hennig, and John Keston (myself), has been quietly performing at a handful of obscure venues in the Twin Cities for about a year and a half. On Monday, October 3rd we’ll poke out heads out of the shadows for a set during JT’s Jazz Implosion residency at the Icehouse in Minneapolis.

JT’s Jazz Implosion at Icehouse is one of the hottest jazz scenes in the cities. Featuring bands that study strong jazz composition, the performances consist of a variety of modern jazz songs with an improvisational flair. The bands that perform are emblems of originality in the modern jazz scene, oftentimes receiving national attention for their jazz genre knowledge and assimilation of multiple influences. The series appeals to a variety of listeners, providing multilayered compositions for every jazz fan.

For a taste of what Bloodline is all about, please have a listen to a few excerpts from one of our recent performances at Jazz Central Studios:

My New Piano or How to Become a Hermit

Kawai K5

Recently my wife, dog, and cat moved into a new house and downsized going from over 1400 square feet to 725. In this process I sold off and gave away a number of space hungry instruments including a chopped Hammond, one of my three Rhodes electric pianos, and my 1916 Wesley Raudenbusch & Sons farmhouse, upright-grand piano (see photo below). Sadly I had been neglecting acoustic piano in favor of Rhodes, synths, and an excellent Steinway Model D plugin from UVI. You can see this in the photo because I had allowed my wife to cover the top with the cat’s food and water, a cat bed, and decorations. Yikes! Continue reading

Interview: Graham’s O’Brien’s Drum Controller Video Series

Drum Controller - Graham O'Brien

Graham O’Brien is an exceptional and inventive drummer, composer, and producer. It has been my privilege to play with him at dozens shows and on at least five separate projects over the last eight years. His latest solo endeavor is a series of five videos titled Drum Controller. Graham had discussed his goals for the project with me, but when I saw/heard the videos I was immediately impressed. I wanted to know more about how he was able to trigger these beautiful and complex electro-acoustic arrangements without touching anything other than his minimal kit of kick, two snares, high hats, and a ride.

Note: Graham will be performing music with his Drum Controller setup and Thomas Nordlund on guitar at Honey in Minneapolis this Sunday, June 5, 2017. Read on for the interrview and a look at his video series. Continue reading