Synchronizing Music Technology at Slam Academy

I am teaching a class starting on November 29, 2012 at the Slam Academy in Minneapolis titled Synchronizing Music Technology. The first class class of the four session module is free to attend with no obligation. If you decide to take the module you are eligible to purchase a Korg Monotribe and Korg Monotron for $175. General admission and student pricing is available.

In this course we will examine ways to synchronize musical devices including vintage-to-modern MIDI compatible devices, as well as pre-MIDI analog instruments using CV (control voltage) and gate signals. We will also learn how to sequence and interface these devices with computer software making it possible to create studio and performance setups that integrate decades of music technology.

The Slam Academy is one of a handful of certified Ableton Live training centers worldwide. Most classes are around $200 or less for students and meet for three two hour sessions. I am very excited to be an adjunct instructor at this incredibly forward thinking school for electronic arts. If you’re in the area please stop in for the free intro class on November 29 or consider registering for a module or two.

Roland D50 Automation

Now that I am able to program the MKS-80 with the Bitstream 3X I am attempting to do the same for other electronic instruments that lack tactile controls. This involves digging into the MIDI implementation of these instruments and then programming the BS3X to send the appropriate values. The first instrument I’m trying this with is the Roland D-50. So far I have had no success in getting the Roland D-50 to respond to the values I’m sending it, but hopefully I get it figured out soon. Here’s an example of what I’d like to accomplish. To create the sound below I used the D-50’s joystick to change the cutoff frequency on the first upper partial while sending it notes via MIDI.

Roland D50 Automation

Bitstream 3X MIDI Controller

I just got a Bitstream 3X MIDI controller (BS3X), and have just started experimenting with it. This is a complex and fully programmable device, so I will need some time with it before I have learned the best way to incorporate it my setup. The easiest way to use it is in standard mode where no programming is required on the unit. Simply map the controls in the software you are using. However, what makes the BS3X powerful is the user mode where every assignable control can be programmed. A sophisticated editor allows the user to map these controls based on a long list of device parameters such as “Roland D50 Upper Partial 1 – TVF Cutoff Frequency”.

Just to get started with the device I used the standard mode and mapped the bulk of Roland MKS-80 parameters to it via the reKon Audio VST-AU MKS-80 editor in Ableton Live. For the VCF cutoff and resonance I used the XY axis joystick. This gave me one finger control over both of these parameters for very expressive control of the filter. I also mapped the VCF envelope LFO depth to the ribbon controller for another way to manipulate the filter. In one take using only three controls (the XY axis, ribbon, and a knob mapped to the LFO rate) I performed this drone.

MKS-80 XY Axis Drone

What is Your Top Programmable MIDI Controller?

I’m looking for a programmable MIDI controller for the Roland MKS-80. I have almost resigned myself to building my own MIDIbox 64, but if something pre-built and inexpensive that will serve the purpose is out there I’m willing to consider it. The most attractive thing I’ve found so far is the CME Bitstream 3X (formerly Wave Idea), but I’m not exactly thrilled about CME products. I have a CME UF7 keyboard controller and I’m not that happy with it. I’d love to hear from someone with a Bitstream 3X about what they think of it feature and construction wise.

Other interesting devices are the Novation SL MkII series (a little short on knobs and sliders) or the Doepfer Drehbank (discontinued). Another possibility is 3 Korg nanoKONTROLs and a USB hub. I’m using one right now with three scenes programmed to control everything on the MKSK-80, but the scene switching is cumbersome, and I loose my positioning on parameters after switching scenes causing jumps in the programming. However, having three of them would solve that problem. Unfortunately, they are not programmable for sysex (required to interface with the MKS-80), so I’d need to map them through editor software, eliminating the potential of a computer free setup.