This Thursday, March 30, 2017 I will be performing two 30 minute sets of music with Graham O’Brien at the Walker Art Center as part of the Merce Cunningham: Common Time series of events and exhibitions. Our performances start at 5:30pm and 8:00pm in the Perlman Gallery and feature former Merce Cunningham dancers. Here’s a one minute teaser recorded during a recent rehearsal. The concert is free and open to the public. Visit the Walker Art Center for more details.
Dear ACB readers, I am pleased to announce my first solo album in seven years, Isosceles. This one is an eighty minute long departure from my usual esoteric experiments. Instead it is full of unapologetically funky and tonal instrumental synth tracks. Many of these were shared as works-in-progress here on ACB.
Years in the making, this collection of tracks was carefully picked from dozens of compositions. Vintage and contemporary electronic instruments and processors were used alongside each other to create a unique yet familiar sound. The album is full of thick analog arpeggios, punchy bass lines, earthy beats, and ballistic leads. The anthology is interspersed with contemplative moments reminiscent of the promise of space exploration and discovery. It is a journey through light years of exploratory sound design, future thought, and galactic musical manifestations.
The gorgeous artwork is by Benjamin Montag and the impeccable mastering was handled by Tom Garneau. The album was released on Unearthed Music and is available on Bandcamp as well as the usual suspect (iTunes, et al). Tonight I’ll be performing at Acadia in Minneapolis to celebrate the release.
Composed and performed by John C. S. Keston
Ablum art by Benjamin Montag
Mastered by Tom Garneau of Audioactive
Bloodline, a trio featuring Cody McKinney, Peter Hennig, and John Keston (myself), has been quietly performing at a handful of obscure venues in the Twin Cities for about a year and a half. On Monday, October 3rd we’ll poke out heads out of the shadows for a set during JT’s Jazz Implosion residency at the Icehouse in Minneapolis.
JT’s Jazz Implosion at Icehouse is one of the hottest jazz scenes in the cities. Featuring bands that study strong jazz composition, the performances consist of a variety of modern jazz songs with an improvisational flair. The bands that perform are emblems of originality in the modern jazz scene, oftentimes receiving national attention for their jazz genre knowledge and assimilation of multiple influences. The series appeals to a variety of listeners, providing multilayered compositions for every jazz fan.
For a taste of what Bloodline is all about, please have a listen to a few excerpts from one of our recent performances at Jazz Central Studios:
Graham O’Brien is an exceptional and inventive drummer, composer, and producer. It has been my privilege to play with him at dozens shows and on at least five separate projects over the last eight years. His latest solo endeavor is a series of five videos titled Drum Controller. Graham had discussed his goals for the project with me, but when I saw/heard the videos I was immediately impressed. I wanted to know more about how he was able to trigger these beautiful and complex electro-acoustic arrangements without touching anything other than his minimal kit of kick, two snares, high hats, and a ride.
Note: Graham will be performing music with his Drum Controller setup and Thomas Nordlund on guitar at Honey in Minneapolis this Sunday, June 5, 2017. Read on for the interrview and a look at his video series. Continue reading
I’m pleased to announce that I will be giving two workshops at Moogfest 2016. Audiovisual Scores for Electronic Music is on May 19 from 5 to 7pm and Sound Art and Sonification is on Friday from 2 to 4pm. The location for both workshops is 21c Museum Hotel, Gallery 6 111 N. Corcoran St, Durham, NC 27701. Details are on the Moogfest schedule site.