Incidentally, the title of this track was inspired by a comment on Japan, California, UK that reads: “If, within 6 months, this isn’t the soundtrack to an inspirational, animated montage where cartoon field mice build an aeroplane from junk and fly above their home waving down to their friends, then there’s no justice.”
Here is another no-overdubbing, straight-to-tape, composition using four of my favorite synths. The Yamaha FS1R provided the brittle, sustained, chord pattern. The Tempest handled the synth bass. The Bass Station II produced the arpeggio. Finally, I used the mighty MKS-80 for the lead playing. BTW: I took the photo in Seattle.
Here’s another offering from experiments concocted in my studio. I created this piece with no overdubbing. All tracks were recorded simultaneously. Post-production was limited to editing for length, fades, and one reverb send.
Here’s a quick demonstration on how to use the QuNexus to play the Korg Monotribe. To duplicate this technique you will need to update the Monotribe to version 2.10 or later then connect a TRRS mini jack to the sync in port on the Monotribe (tip is gate and the second ring is CV). All the cables you need are in the QuNexus cable kit. I also synched-up the Volca Keys for a simple chord progression. The parts on the Monotribe and Volca were recorded with “flux” mode. This is simply Korg’s term for non-quantized recording. Without “flux” mode on the parts would be made up entirely of 1/8th or 1/16th notes depending on the settings of each instrument (the Volca Keys can also do quarter notes on the 1/4 mode).
Currently the entire debut album from Ostracon, Unauthorized Modifications, is available through August for download on SoundCloud. Please enjoy and thanks for listening. Comments are appreciated. A new Ostracon record has been recorded and will be released after editing, mixing, and mastering has been completed.