This is the sixth piece from a collection of microtracks that I have produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one starts out with out drums and then double bass drum fills come in near the end.
This is the fifth microtrack from a series that I produced using the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. This one was edited out of a longer session where I was taking a few liberties with knob turning on the Memory Man and on the Pro-One.
Here we have the fourth example of microtracks made with the Korg Monotribe synchronized with the Sequencial Circuits Pro-One. The odd time in this case is caused by setting the number of active steps differently for the synthesizer versus the drums — a new feature that was added with the Monotribe 2.0 software update.
This is the third example from a collection of microtracks that feature the Korg Monotribe synchronized in various ways with the Sequential Circuits Pro-One. In this piece I switched between the two available sequences on the Pro-One while manipulating controls on both instruments.
Here’s the second microtrack from a series of experiments featuring the Korg Monotribe and my SCI Pro-One. It would be remiss to leave out the use of the Memory Man on the Pro-One for some distorted dub-delay. This particular piece has odd times and flams happening that were a bit of an accident. It could of been caused by dropping a beat somewhere using the active step function on the Monotribe, but I was also synchronizing with the DAW, so my sync loop may have been misaligned. In any case I liked what I heard and let it form the basis of this study.