My rules for this piece were to compose, arrange, and produce music in real-time (edited for length, but no overdubbing) using only the three instruments discussed. The track starts with a sequence I programmed into the Moog Sub 37. Next an arpeggio is introduced from the Elektron Analog Four (A4). Soon afterward we hear the high hats from the DSI Tempest and a long sustained melodic chord progression also from the A4. Finally the rest of the percussion is supplied by the Tempest along with a bass line. From there on out it’s a matter arranging the existing parts (muting and un-muting) with a little real-time knob tweaking.
What makes this piece different for me was sending the output of the Tempest into the A4’s external inputs. This allows for processing external signals through the reverb and delay built into the A4. So when performing a roll on the Tempest, for example, I can turn up the reverb or delay on the A4 external input to add some additional character to the sound. This is going to be really nice for upcoming performances. Since the A4 has two inputs I may just run sends into each then apply reverb to one and the delay (perhaps with a touch of chorus) to the other. This would give me a reverb and delay send for everything plugged into the mixer. Expect to hear more experiments exploiting these and other techniques in upcoming posts.