Lovingly mixed on cheap ear buds, this micro track consists of a cut up chunk of low frequency Rhodes running through auto pan and a bit of amp modeling, out of key FM synth bass, and frosty beats that were partially programmed using the GMS (Gestural Music Sequencer). It’s not a habit of mine to mix blind (or would that be deaf?), so I hope there aren’t too many nasty surprises when I hear this through proper speakers.