Here’s a render of a Subtractor bass line I created using Matrix during a Reason demonstration for my sound design class last week. The theme of the demonstration was subtractive synthesis, so I started by initializing the Subtractor and creating a new sound from there. I threw a Dr. Rex drum pattern with a linear sweep on the envelope amount to illustrate automation as well.
Here’s an early attempt at operating the Bitstream 3X arpeggiator that I created last month. It got rejected until now, but I still like the simplicity of it. Although the modulations are too rough for it to be useable, it is still viable as inspiration for a future piece.
Here’s a nearly two minute long excerpt from the third track, titled Particle Agent from our upcoming Ostracon debut, Unauthorized Modifications. The following description of the album from the press release offers insight into how this album was produced. (Photo of Graham O’Brien with Ostracon at the In/Out Festival in NYC, courtesy of inoutfest.org)
Ostracon is producer John Keston (AudioCookbook.org) on electronics and drummer Graham O’Brien (No Bird Sing). No keyboards are used in their music. Instead, Keston uses his custom sequencing software and hand manipulated light controllers to convert projected video signals into a stream of generative melodic structures. During their performances and recording sessions the visuals, electronics, and synchronized drumming are interwoven creating ephemeral structures that are familiar yet never repeated outside of each composition. O’Brien’s percussive statements firmly place the work into a non-linear landscape, grounded in an impossible to categorize igneous crust. UNAUTHORIZED MODIFICATIONS includes six pieces recorded and mixed at the former Flyte Tyme studios by Adam Krinsky. The the tracks, interspersed with angular melodic passages, sound mysterious, organic, and periodically invoke dystopian imagery.