Monotribe Meets Pro-One Part 9: Delayed Sync

For this experiment I recorded the Monotribe sync signal into Ableton Live, then I made two separate tracks of warped sync output – one to drive the Monotribe and one to drive the Pro-One. Not only does this give me the capability to set the tempo in Live, but I can also manipulate the sync signal independently for each device.

Notice the galloping shuffle on the Pro-One bass line? This was created by adding a delay to the sync signal that is going to the Pro-One. Using this technique I can instantly add groove, double-time, or triplet feel to either or both of the instruments. Who knew these instruments, 30 years apart, would pair so well together.

Monotribe Meets Pro-One Part 8: Plus Monotron

This is my favorite from the series of microtracks featuring the Korg Monotribe synched with the Pro-One that I’ve produced so far. For this experiment I also plugged my Korg Monotron into the Monotribe’s audio input. This can be heard as the higher pitched drone following the bass line. At around 0:15 the Pro-One arpeggiator fades in. Finally at about 0:54 the Monotron pitch ramps up about an octave, goes a little sharp, goes at little flat, then rests fairly close to the octave as the feedback on the Memory Man saturates the Pro-One notes.

Now You Can Control the World’s Largest Synthesizer has an article on what is probably the world’s largest synthesizer (let’s not forget T.O.N.T.O) created by Joe Paradiso over about twelve years starting in 1974. It has recently been installed at MIT. What is amazing is that you can listen to long audio files of patches that Joe creates every couple of weeks, or (now for the really crazy part) visit an online interface to literally control the synth remotely with other users doing the same thing!

Xperia Sola with Floating Touch

This is not my usual kind of topic, but I just came across an exciting new development. Sony has introduced the Xperia Sola with what they call floating touch capability. The screen on the device detects the presence of a finger up to 20mm away allowing for mouse-like hovering behaviors. What this means for me is that it would be an easy matter to create a velocity sensitive touch keyboard or set of pads on a device with this feature. Simply measure the time between entering the field and actually touching the device and then apply the number to the amplitude, or any other attribute of the sound. There is a significant amount of potential for expression with this technology. I would love to see this on a tablet and develop an instrument it. How would you like to see floating touch (or something like it) used for music applications?

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