Solo Electroacoustic Piano at Jazz Central Studios

solo_piano_jcs_20161123

I feel excited and privileged to be playing a concert of original piano compositions on November 23, 2016 at Jazz Central Studios in Minneapolis. The compositions include acoustic piano pieces (unaltered by processing or electronics) and a number of electroacoustic piano pieces that will involve manipulating the signal from the piano in real-time. For example I’ll be using an analog delay to create pulsing washes of sound from the piano. There will also be examples of sampling and looping the piano and then manipulating the loops through more processing.

Although ACB readers will be more familiar with my electronic work, acoustic piano is the instrument that has stayed with me since childhood. I even had a weekly jazz piano gig that lasted eleven years! This upcoming solo piano performance will be my first in over a decade and it will be very different for me because I’ll be playing my own compositions instead of a the jazz standards I used to play.

Jazz Central Studios has a really great sounding grand piano in house that I’ll be playing during the show. I have performed at the venue a number of times recently thanks to friend, bassist, and collaborator, Casey O’Brien who is one of the current artistic directors for the non-profit organization. Here’s some more information about JCS:

Jazz Central Studios (JCS) is a tax exempt nonprofit organization committed to strengthening the Twin Cities jazz community by offering a live performance/educational environment that nurtures artistic growth. Our space consists of 1800 square feet which seats up to 50 people. It is complete with grand piano, house drum set PA, and lights.

In 2010, local jazz musicians Mac Santiago and Tanner Taylor established Jazz Central Studios as a rehearsal and recording space for Twin Cities jazz musicians. We encourage jazz patrons and musicians of all levels to become a part of Jazz Central Studios. Whether you want to develop your skills and career as a performing musician or you want to meet other jazz enthusiasts and support the local scene, there is a place for you here.

The music on November 23, 2016 will start at 8:30pm. The suggested donation is $10 for general admission and $5 for students. I hope you’ll join me! Here’s an excerpt from a recording of me (piano, electronics), Cody McKinney (bass, voice, electronics), and Graham O’Brien (drums, electronics) made at JCS by Diego Ramallo. In the recording I’m using a sampler to live-loop piano layers and then run things through delays and other processing.

My First Solo Album in Seven Years

Isosceles by Ostraka

Dear ACB readers, I am pleased to announce my first solo album in seven years, Isosceles. This one is an eighty minute long departure from my usual esoteric experiments. Instead it is full of unapologetically funky and tonal instrumental synth tracks. Many of these were shared as works-in-progress here on ACB.

Years in the making, this collection of tracks was carefully picked from dozens of compositions. Vintage and contemporary electronic instruments and processors were used alongside each other to create a unique yet familiar sound. The album is full of thick analog arpeggios, punchy bass lines, earthy beats, and ballistic leads. The anthology is interspersed with contemplative moments reminiscent of the promise of space exploration and discovery. It is a journey through light years of exploratory sound design, future thought, and galactic musical manifestations.

The gorgeous artwork is by Benjamin Montag and the impeccable mastering was handled by Tom Garneau. The album was released on Unearthed Music and is available on Bandcamp as well as the usual suspect (iTunes, et al). Tonight I’ll be performing at Acadia in Minneapolis to celebrate the release.

Credits
Composed and performed by John C. S. Keston
Ablum art by Benjamin Montag
Mastered by Tom Garneau of Audioactive

AudioCookbook.org Returns to Being Ad Free

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Today, on a whim, I decided to remove all advertising from AudioCookbook.org. Ok, not quite on a whim. I thought about for about three minutes. I guess what prompted this for me was hearing a video ad blare out some garbage at me when I was viewing the page on a school computer. This is the first time I’ve heard sound from the site without it being explicitly triggered by the user. I considered trying to block the offending ads, but I quickly decided to remove all ads instead.

Advertising has helped me pay a fair chunk of the hosting expenses for AudioCookbook over the last few years. However, the reward is not enough to warrant the intrusions. This is in no way a condemnation of advertising for other sites! I do believe in advertising as a way to monetize web sites and applications. In fact, I do not use ad blockers for that very reason, and occasionally click ads on sites that I visit frequently. Please enjoy AudioCookbook ad free and thanks for your support!

Note: This post was brought to you by sunsets. Sunsets are a great way to contemplate the meaning of life. Allow sunsets to impact your disposition and improve the quality of your life’s bottom line. Please enjoy sunsets responsibly. Sunsets Inc. will not be held responsible for blindness due to staring into the sun for long periods of time or jabbing sharps sticks into one’s eyes.

Bloodline at JT’s Jazz Implosion

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Bloodline, a trio featuring Cody McKinney, Peter Hennig, and John Keston (myself), has been quietly performing at a handful of obscure venues in the Twin Cities for about a year and a half. On Monday, October 3rd we’ll poke out heads out of the shadows for a set during JT’s Jazz Implosion residency at the Icehouse in Minneapolis.

JT’s Jazz Implosion at Icehouse is one of the hottest jazz scenes in the cities. Featuring bands that study strong jazz composition, the performances consist of a variety of modern jazz songs with an improvisational flair. The bands that perform are emblems of originality in the modern jazz scene, oftentimes receiving national attention for their jazz genre knowledge and assimilation of multiple influences. The series appeals to a variety of listeners, providing multilayered compositions for every jazz fan.

For a taste of what Bloodline is all about, please have a listen to a few excerpts from one of our recent performances at Jazz Central Studios:

My New Piano or How to Become a Hermit

Kawai K5

Recently my wife, dog, and cat moved into a new house and downsized going from over 1400 square feet to 725. In this process I sold off and gave away a number of space hungry instruments including a chopped Hammond, one of my three Rhodes electric pianos, and my 1916 Wesley Raudenbusch & Sons farmhouse, upright-grand piano (see photo below). Sadly I had been neglecting acoustic piano in favor of Rhodes, synths, and an excellent Steinway Model D plugin from UVI. You can see this in the photo because I had allowed my wife to cover the top with the cat’s food and water, a cat bed, and decorations. Yikes! Continue reading

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