This sound was programmed on the Juno-106 with the oscillators off and the VCF resonance all the way up, which puts the instrument into self-resonance as was discovered in the article Eerie Pseudo Oscillator Microtrack. Right around 0:42 I turned on the sawtooth wave and manipulated the LFO, then at 0:57 I turned it back off again.
This is part of the bass line from a synthesizer waltz that I’m composing. The sound was played on the Roland Juno-106, which I can’t seem get enough of these days. No processing was applied. All you hear is the chorus along with the LFO modulating the VCF for a long, slow filter sweep. Oh yeah, and I was manually tweaking the cutoff, and probably the envelope amount as well.
Dear ACB readers, I am looking for a Roland MKS-80 rack mount synthesizer preferably with the companion MPG-80 programmer as shown in the photo above. I have a very specific project in mind using the GMS and something like the MKS-80 together. There are several of these synths available on eBay and even a few on craigslist (although not in my area). Unfortunately the prices seem somewhat inflated, so I am asking around the old fashioned way. Please contact me directly (keston [at] audiocookbook [dot] org), or in the comments, if you know of one available for sale. If you sell me yours you’ll have the pleasure of being able to hear sounds and phrases that I produce with it here on ACB, and a mention in the liner notes for the second Ostracon album. Thanks!
One thing I hadn’t explored yet on the Roland Juno-106 is how well it produces synthesizer effects. This is the sort of sound that I would normally create using my Sequencial Circuits Pro-One, and admittedly the filter on the Pro-One is a little more agressive, but I decided to give it a go on the 106. This sound was made using the filter self-resonance discussed in detail in the article Eerie Pseudo Oscillator Microtrack. Using the LFO on the VCF creates the wobble, then I adjusted the LFO manually for speed modulation.