Evening Traffic on Lowry Avenue

One of the first few recordings I made with my Sony PCM-D50 was to capture traffic ambiance. This was really a pretty good test for the stereo imaging of the built in mics. I held the device, so there is some handling noise, although I did put a wind screen on the D50. This recording would have been impossible without it. The mics on the D50 are very sensitive to wind. Even indoors if an object, like a door, moves the air near the unprotected mics you will hear the capsules flapping in the breeze. Despite the wind screen you can hear a bit of wind noise around 00:34. The stereo image is acceptable, but it’s not as broad as other stereo mics I’ve used such as the Shure VP88. I have yet to try the 120 degree, Y pattern setting, which I imagine will spread the image considerably.

Lowry Traffic

Summer Glau Triple Mash and Cooked by Teru

While browsing ccMixter recently I came across this track called Summer Glau by John Anealio remixed by Teru that incorporates sounds from ACB including Pro-One Dub and apparently Synthesizer Fifths Drone although I couldn’t make it out in the mix. In any case, after a bit more browsing I came across another Teru mix called Cooked (mega downtempo) that uses Synthesizer Fifths Drone, Rhodes Wah Wah, Electric Razor, and Door Stop all sounds I posted on AudioCookbook.org. I must admit that it is fun to come across examples of ACB samples being used by other artists. I’ve linked the tracks below, or visit Teru’s page on ccMixter to hear what else he has on offer. You can also checkout the Audio Cookbook Sample Pool to hear how other artists are using ACB samples.

Cooked
Summer Glau Triple Mash (vocal mix)
Summer Glau Triple Mash (instrumental mix)

This is Not a Website About My Cat

This is not a website about my cat. First of all, the cats are not mine. I just live with them. Secondly, I can get away with this because I’m posting an animal sound. Anyway, before I get myself in trouble by saying something regrettable about cats, my wife’s cat Minuit (French for midnight) has a really great purr. I managed to capture a little bit of it along with some cat swallows and a partial meow the other night when I first got my Sony PCM-D50. The photograph is not Minuit, but actually his chief rival, Caro, the newest edition to the family who embodies pure evil. Just look at those eyes!

Minuit Purring

Sony PCM-D50 Arrival

I found my shiny, new PCM-D50 in a box on my doorstep when I came home on Thursday evening. Luckily it was still there. UPS ignored my note to deliver it to the neighbor if no one answered my door. I haven’t had much time to play with it yet, but I have made a few test recordings in my house. It’s been freezing outside the last few days, so the forced air heating is on constantly providing every recording with some nasty background noise. To avoid the noise I made a few recordings in my bathroom. Naturally the first thing I recorded in there was the toilet flushing. Here it is in all its gurgling glory.

Toilet Flush

Rhodes Feedback

In order to get this example of feedback I ran my suitcase model Rhodes, which I confine to my studio, through an outboard processor with some nice amp modeling and cranked up the gain. For the processing I used an eleven year old Yamaha A3000 sampler. The A3000 allows you to edit and apply processing to an incoming signal and it has some pretty nice sounding effects. Once I had adjusted the processing I held down the sustain pedal on the Rhodes and let the amplification do the rest. Tapping or gently knocking the instrument also produced some nice sounds. Here’s a snippet of the results.

Rhodes Feedback

The Smallest Sample on ACB

This tiny sample of audio represents the instant that my iPod ran out of battery life while recording a performance of myself, Nils Westdal and Graham O’Brien on drums from Monday, November 17, 2008 at Cafe Barbette in Minneapolis.

Typically when a recording is interrupted due to power loss on a digital recorder, the device is unable to save the document properly so what you end up with is a corrupt file, or worse, nothing at all. In my case I ended up with a corrupt file on the iPod of about forty five minutes of our second set. After a minute or two of searching I discovered that Audacity has a file menu option called “Import Raw”. Using this option I was able to import the unreadable content into Audacity.

I was delighted to see that most of the recording was intact. However, what was was interesting to me is that at the end of the file was about a minute or more of random white noise. I fancifully imagined this as my iPod going into a dream state as the power level was no longer adequate to support the standard functionality of the device. So here’s the first 48 milliseconds of that dream state with a three dB pad to eliminate clipping.

Ghost in the Machine

Insectoid X-19

This afternoon I stumbled upon another one of my recent FM synthesis experiments from November 2, 2008. On that day I recorded eight minutes of output from select randomized programs that I produced using a MaxMSP patch called X.FM. You can hear all of the examples I have posted so far by clicking on the FM Synthesis topic.

This eighth example in the series has some nice rhythmic, pulsating characteristics to it. I edited the sound out from the surrounding audio, then exported it with normalization to boost the levels.

Insectoid X-19

 

There’s Four Chips in that Bag

I top and tailed this clip of ambiance from a popular lunch spot in downtown Minneapolis, applying quick fades in the beginning and end of the twenty four second example. I also applied normalization to boost the levels.

One of the employees prompts a customer into ordering his peperoni sandwich. After that I examine a bag of chips and my friend Derrin advises me that “there’s four chips in that bag”.

Four Chips in that Bag

 

Old Amplifier Abuse

A couple of weeks ago, while working in the studio with Nils Westdal, we decided to experiment with an old amplifier that has a built in spring reverb. We plugged the direct out into a firewire interface and hit the record button in the software. Nothing was plugged into the amp, but by turning up the reverb knob all the way and the volume most of the way up, the spring reverb became very sensitive to vibrations. All that was left to do was to bang the amp around a bit while capturing the output.

Spring Reverb

Caribbean Surf and Tide Pools

I recently recorded the sound of Caribbean surf and the gurgling of the waves as they receded from tide pools on a beach near Playa del Carmen in Quintana Roo, Mexico. I did my best to shield the wind from the mic, but the cheap foam wind screen I brought with me was painfully inadequate.

To try and repair the sound I edited a few instances of clipping, and ran the lot through a a high pass filter to reduce some of the wind noise. Finally I compressed the audio to bring out some of the gurgling and splashy sounds.

Caribbean Surf

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