People on Shelves

Posted on December 19, 2009 by John Keston

Andrea Streudel just posted some really nice video documentation of the People on Shelves exhibit that was performed on December 9, 2009 at the West Bank Social Center, using music I created during the show. From the original post, “The world premiere of maw.shelves, a software for dynamic 3-dimensional projection. We overlaid another projector to place our real-time, full-body silhouettes on the “shelves”. Music was performed live by Ostraka.” Checkout Minneapolis Art on Wheels for more details.

Spark Festival 2009 Documentation

Posted on December 16, 2009 by John Keston

A website was recently launched by Andrea Streudel and Ali Momeni containing vast amounts of video and audio documentation for the 2009 Spark Festival. I’m going to be spending some time reliving some of my experiences there from last February. This is an incredible archive of materials from the festival. Something from virtually every performance, installation, keynote, and concert is available. To get an idea of the festival and the scope of the documentation I suggest watching the Spark Festival 2009 Overview.

And I would be remiss if I didn’t suggest watching the footage of my group Keston and Westdal with Graham O’Brien at the Bedlam Theater during one of the nightlife events (complete with crazy dancers). More documentation of Keston and Westdal’s performance is available including more video and a complete audio recording of the show.

Visit the site to download footage or audio of practically everything that happened at the festival.

Five Movements for Five Sampled Sounds in Five Loud Speakers

Posted on December 14, 2009 by John Keston

fives

Last Tuesday I performed a sound art installation titled, Fives, at the University of Minnesota. The subtitle of the work is, Five Movements for Five Sampled Sounds in Five Loud Speakers. To produce the sound for the work I used the wavetable glitch machine that I have discussed in a number of recent entries, controlled over a wireless network with an iPod Touch running TouchOSC. The sound objects generated were amplified through five distinct loud speakers arranged on pedestals at about chest height in a pentagonal configuration.

I have more detailed documentation about the project on my portfolio site along with a few photographs taken during the performance, and a 15:37 audio study of the piece in stereo, simulating the five channels necessary to perform the work. Check it out at the link below.

Documentation for FIves on johnkeston.com

Almost 300 GMS Downloads, Responses Needed

Posted on December 11, 2009 by John Keston

ods_session As the GMS approaches three-hundred downloads, I’m starting to get a few questions regarding technical problems. It’s exciting that people are starting to use my software, but as an individual developer, who is also a composer, instructor, performer, and student, I don’t have time to diagnose and troubleshoot every problem on every system.

Therefore, I am asking for your help. If you have downloaded the GMS, please post a comment here describing your success stories or problems. In either instance, please include details about your environment including the operating system, computer specs, camera in use, and if you’re using internal or external sync.

I’ll do my best to respond to Mac issues, but I don’t have consistent access to Windows. If you’re up and running on Windows please respond to questions if you have ideas on how to fix the problem. As always, I’m interested in hearing what you do with the GMS, so post a link to your tracks, and thanks to everyone for participating.

Music for People on Shelves

Posted on December 10, 2009 by John Keston

people_on_shelves I’ve just rendered my full eighty-six minute Ostraka set from last night’s event at the West Bank Social Center. So, while waiting for the delightful documentation that Andrea Streudel is sure to produce, here’s a short segment of audio from the set.

I used Ableton Live to produce in real-time and my wavetable glitch machine Max patch to make most of the noises, which I routed into Live using Soundflower.

The projection work of the evening was top notch. An entire wall of the building across from the WBSC was covered with animated silhouettes of attendees on simulated three dimensional “shelves”.

Here’s the excerpt. I’m also including a link to the entire eighty-six minute set that I uploaded to soundcloud.com for all the brave people who’d like to hear the full set.

Excerpt from Music for People on Shelves

Introducing the Fluid Piano

Posted on December 10, 2009 by John Keston

My mate Joshua Herbst recently shared this video with me of the first ever “fluid” piano invented by Geoff Smith.

The completely acoustic piano allows the musician to tune every string by a whole tone either during the performance or before hand in order to set up particular microtonal scales.

The fluid piano sounds beautiful, reminiscent of sitar, but with a deeper tone quality. I can’t wait to hear more from this ingenious instrument.

Here’s the original article from the Guardian:
Introducing the ‘fluid piano’

GMS Now Available for Windows

Posted on December 5, 2009 by John Keston

GMS v0.10 beta binary distribution for Windows is now available, thanks to Grant Muller, who compiled the latest source code for the GMS under Windows. Please visit the GMS page to download the Windows version. If you’re interested in the source code for the GMS you can find it at http://code.google.com/p/gestural-music-sequencer/.

Live Music by John Keston at the WBSC

Posted on December 4, 2009 by John Keston

wbsc_js This Wednesday, December 9, 2009, 7pm – 10pm I’ll be performing music at the West Bank Social Center. The space can be found above the Nomad Bar, 501 Cedar Avenue South, Minneapolis, Minnesota, and is accessible by an exterior door on the north side of the building. These events are entertaining mash-ups of creative ideas from a variety of artists producing interactive projection pieces. Checkout the video documentation from the last event where I played. I’ll probably be using a combination of vintage Hammond organ through laptop, gestural generative sequencing, and custom grain table madness, all arranged in real-time in Ableton Live.

GMS as Open Source on Google Code

Posted on December 4, 2009 by John Keston

The GMS source code is now available on code.google.com. I’ve still got loads of idea for improvements and feature additions, but I’m also interested to see what input other developers might have for the project. Therefore, the code is now officially released and available as Open Source under the GPLv3.

Please let us know how you are using the GMS. I’ve been informed that Grant Muller will be using it experimentally on a jazz improvisation project he’s involved in. Rocky Rosga is producing some work with the GMS. Finally, my duet project with Graham O’Brien on drums has recorded an album (it will be a few months work to edit and mix, so don’t look for it anytime soon) of GMS improvisations with live drums.

Radiolab Numbers

Posted on December 2, 2009 by John Keston

numbers WNYC‘s Radio Lab with Jad Abumrad and Robert Krulwich is one of my favorite radio programs and podcasts of all time. Their latest program explores the world of numbers. According to interviewees on the program all babies think logarithmically until the abstract concept of integers has been systematically drilled into their heads.

It’s a fascinating story, and as usual, permeated with beautifully done sound design. For more on Radiolab checkout “Sound is Kind of Touch at a Distance”, or visit their site for more podcasts of the program.

Radiolab: Numbers